Stained Glass Theatre

Stained Glass Theatre


General Audition Information

Auditions are “open auditions,” meaning that all are welcome to try out for any of our productions and all are welcome to come and watch any of our auditions.

Auditions are typically “cold reads,” meaning those auditioning will go onstage and read excerpts from the script of the show they are auditioning for. In most cases scenes require multiple people reading, so it is rare that anyone is onstage alone during the audition process.  Auditions are held in a friendly atmosphere and directors explain all information needed before the readings begin.

Audition applications and rehearsal schedules will be available to pick up at the box office. We ask that you take the time to go over the rehearsal schedule and mark any and all conflicts on your application.

If you have any questions concerning auditions you can contact us at and directors will be available to answer any and all questions at the auditions.



Auditions for “A WALL OF FIRE” will be held Monday, January 9th , at 7:00 pm, according to Chris McNeal, the show’s director.

Audition packets and scripts will be available on December 27th during regular Box Office hours (noon – 5:00 pm, Monday – Friday).    Scripts for this show MUST be returned.

All auditions are open to the public.  We would love to have you join our SGT Family!

Auditions are “cold reads,” meaning those who audition will read selected scenes from the script in small groups on stage.  Auditions are held in a friendly atmosphere and directors will explain all information needed before the readings begin.

Performance information

 “A WALL OF FIRE” will open on February 23rd and run through March 25th.  Performance times will be at 7:00 pm on Thursdays and Fridays, and 2:30 pm on Saturdays.  Our Sunday Matinee will be March 12th at 2:30 pm.


List of Characters 

FERN HARRINGTON—Twenty-eight year old missionary to China, now in a Japanese prisoner of war camp in the Philippines.

ALBERT HARRISON—In his fifties. American camp liaison to the Japanese.

MRS. HARRISON—Mid-fifties. Former society matron. Wife of Albert Harrison. Always in control.

MAGGIE DODSON—Mid-forties. Former cafe owner and madam.

BILL DYKES—Early thirties. Missionary to China.

RUFUS GRAY—Late twenties. Missionary to China. Amateur photographer.

CLARA MORRIS—Late twenties. Big-boned Texan. Missionary to China.

ANNIE RIVERIA—Early twenties. Half American, half Filipino. Five months pregnant.

MARION GRAY—Late twenties. Wife of Rufus Gray. Has three-month old son.

BESSIE CATES—Mid-forties. American nurse.

HERBERT SILLS—Late-twenties. Good looking. Cocky.

SERGEANT TANAKA (First Guard)—Mid-twenties. Japanese guard. Feels sorry for prisoners. Interested in American culture.

MAJOR TOMIBE—Mid-fifties. Well-educated Japanese gentleman, career soldier. Commandant of the camp. Speaks some English.

LIEUTENANT MUKAIBO (Second Guard)—Late thirties. Cruel. Career soldier.

REV. GARY ESTERBROOK—Early sixties. Local pastor.

MARY DYKES—Early thirties. Wife of Bill Dykes.

AMERICAN SOLDIER—Mid-thirties. Has been at the front for eight months.


Audition Packet

 Audition Packets and Pre-View Scripts will be available on December 27th, and will include the following –

  • “Audition Application” and “Personal Profile” forms
  • “Stained Glass Theatre Code of Ethics”
  • “Theatrical Code of Ethics”
  • “Rehearsal & Performance Schedule” — please check this carefully so you can note conflicts on your application
  • “Photo, Video and Sound Recording Release and Consent” form.  Complete and turn in at auditions.  Applicants under 18 must have this form signed by a parent or legal guardian.
  • “Waiver and Release from Liability” form.  Complete and turn in at auditions.  Applicants under 18 must have this form signed by a parent or legal guardian.

If you would like to have an audition packet emailed to you before auditions, please email

Again, thank you for your interest in this production at Stained Glass Theatre, and we look forward to seeing you at auditions!  If you have any questions regarding this production or auditions, feel free to contact Renee Marchand at: